Topics
Countries
Hong Kong News
Would you like to access news/blog content published by sources located in Hong Kong?
Code example
If you'd like to make a REST call, then make a following POST request:
Endpoint /api/v1/article/getArticles
Request body
{
"sourceLocationUri": "http://en.wikipedia.org/wiki/Hong_Kong",
"resultType": "articles",
"apiKey": "API_KEY"
}
If you'd like instead to do a GET request then call:
/api/v1/article/getArticles?sourceLocationUri=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FHong_Kong&resultType=articles&apiKey=API_KEY
Example of JSON response
Below is an example JSON object that you would receive as the result of the request. You can retrieve also additional properties such as concepts, categories, source details, etc. by specifying additional parameters in the request as described on the documentation page.
{
"articles": {
"results": [
{
"uri": "9231650201",
"lang": "zho",
"isDuplicate": false,
"date": "2026-05-24",
"time": "21:46:32",
"dateTime": "2026-05-24T21:46:32Z",
"dateTimePub": "2026-05-24T21:42:27Z",
"dataType": "news",
"sim": 0,
"url": "http://www.takungpao.com.hk/a/202605/25/AP6a136081e4b04773b06eb579.html",
"title": "康城影展2026（三）/占士格雷新片懷舊氛圍見功力 - 大公文匯網",
"body": "第79屆康城影展在選片方面好像比以往有所調整，加入了不少類型電影，其中包括韓國導演羅泓軫的《希望》（Hope）與美國導演占士格雷（James Gray）的《紙老虎》（Paper Tiger）等。\n\n十年前曾執導《哭聲》（The Wailing）的羅泓軫，遲遲未有新作面世，因此當公布片長逾兩個半小時的《希望》入圍康城競賽，並有米高法斯賓達（Michael Fassbender）與艾利西亞菲瑾德（Alicia Vikander）參與演出，特別令人引頸以待。影片甫開場便先聲奪人，羅泓軫以接近一小時的篇幅，將一個小鎮裏出現離奇命案，以至發現大廝殺現場，到怪物正式出現跟主角打個你死我活，一口氣陳列觀眾眼前，氣氛瞬間達至頂峰。相信不少觀眾會為其凌厲影像與爽快的驚慄特技拍爛手掌，可惜放在康城競賽項目中，本片就嫌只靠觀能刺激取勝，未見深度。片中的追逐場面過多過長，手法重重複複，容易令觀眾產生視覺疲勞。兩位國際巨星的「象徵式」參與難免令人失望，加上全片劇情發展有限，片尾卻留有拍續集的尾巴，叫人失笑。\n\n由阿當戴華（Adam Driver）與史嘉麗祖漢臣（Scarlett Johansson）主演的《紙老虎》則是典型的紐約犯罪片，故事講述一位擁有美滿家庭的工程師，因得罪了紐約的黑幫組織，身為前警探的弟弟便嘗試為他擺平，可惜事與願違，加上太太身體突然出現問題，令情況更為棘手。影片於建立上世紀八十年代的紐約氣氛甚為仔細，加上造型幫助演員加添了懷舊感覺，令演出也更具神采。格雷的場面調度未算出色，但結局一場阿當戴華在草叢中以寡敵眾的場面倒見導演功力。整體上雖未予人驚喜，卻總算娛樂性豐富。\\本文作者為香港國際電影節藝術總監",
"source": {
"uri": "takungpao.com.hk",
"dataType": "news",
"title": "大公报"
},
"authors": [],
"concepts": [
{
"uri": "http://en.wikipedia.org/wiki/Regisseur",
"type": "wiki",
"score": 5,
"label": {
"eng": "导演"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Na_Hong-jin",
"type": "person",
"score": 5,
"label": {
"eng": "Na Hong-jin"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Cannes_Film_Festival",
"type": "wiki",
"score": 5,
"label": {
"eng": "Cannes Film Festival"
}
},
{
"uri": "http://en.wikipedia.org/wiki/New_York_City",
"type": "loc",
"score": 5,
"label": {
"eng": "New York City"
},
"location": {
"type": "place",
"label": {
"eng": "New York City"
},
"country": {
"type": "country",
"label": {
"eng": "United States"
}
}
}
},
{
"uri": "http://en.wikipedia.org/wiki/Tiger",
"type": "wiki",
"score": 4,
"label": {
"eng": "Tiger"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Adam_Driver",
"type": "person",
"score": 3,
"label": {
"eng": "Adam Driver"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Michael_Fassbender",
"type": "person",
"score": 3,
"label": {
"eng": "Michael Fassbender"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Alicia_Vikander",
"type": "person",
"score": 3,
"label": {
"eng": "Alicia Vikander"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Scarlett_Johansson",
"type": "person",
"score": 3,
"label": {
"eng": "Scarlett Johansson"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Monster",
"type": "wiki",
"score": 3,
"label": {
"eng": "Monster"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Film",
"type": "wiki",
"score": 3,
"label": {
"eng": "Film"
}
},
{
"uri": "http://en.wikipedia.org/wiki/South_Korea",
"type": "loc",
"score": 3,
"label": {
"eng": "South Korea"
},
"location": {
"type": "country",
"label": {
"eng": "South Korea"
}
}
},
{
"uri": "http://en.wikipedia.org/wiki/Mafia",
"type": "wiki",
"score": 2,
"label": {
"eng": "Mafia"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Hong_Kong_International_Film_Festival",
"type": "wiki",
"score": 2,
"label": {
"eng": "Hong Kong International Film Festival"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Crime_film",
"type": "wiki",
"score": 2,
"label": {
"eng": "Crime film"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Art",
"type": "wiki",
"score": 2,
"label": {
"eng": "Art"
}
}
],
"categories": [
{
"uri": "news/Arts_and_Entertainment",
"label": "news/Arts and Entertainment",
"wgt": 81
}
],
"image": "https://dw-media.tkww.hk/dams/dwproduct/image/202605/25/6a136078e4b08c07fcf2c83d.jpg?x-oss-process=image/quality,Q_100/resize,w_1200,limit_0",
"eventUri": null,
"sentiment": null,
"wgt": 517355192,
"relevance": 1
},
{
"uri": "9231650179",
"lang": "zho",
"isDuplicate": false,
"date": "2026-05-24",
"time": "21:46:30",
"dateTime": "2026-05-24T21:46:30Z",
"dateTimePub": "2026-05-24T21:42:27Z",
"dataType": "news",
"sim": 0,
"url": "http://www.takungpao.com.hk/a/202605/25/AP6a135e14e4b04773b06eb522.html",
"title": "島內政局險惡 林志玲拒任職文策院 - 大公文匯網",
"body": "【大公報訊】據台媒報道：台灣知名藝人林志玲最近在社交平台發文，宣布拒接台灣文化內容策進院（文策院）董事職位。她坦言「當初接下這份邀請的初衷，是希望能為產業盡一份綿薄之力，未曾想到這個稱謂的重量，比想像中沉重很多很多。」\n\n島內資深媒體人何啟聖認為，林志玲此舉是一個「很漂亮的退場」，退得有智慧，她看懂了一件事：在今日台灣，文化位置一旦碰到官方機構，就極易被政治染色。\n\n此前，林志玲受邀出任台灣文策院董事的消息一出，大量「青鳥」（綠營基本盤）群起攻擊，翻出其之前在大陸活動的舊事，質疑其政治認同。\n\n島內知名醫師沈政男亦認為，此事反映了台灣當前政治局勢險惡。他解釋稱，林志玲僅因曾在微博發表被認定「親中」的言論，遭綠營網絡攻擊後便打退堂鼓，連一個文策院董事都「不敢接」，折射出台灣政治氛圍的高壓與撕裂。民進黨在賴清德好鬥性格主導下，島內紛爭加劇、兩岸關係緊張，令人痛心。林志玲事件看似小事，實則是台灣險惡的政治局勢的縮影，他呼籲台民眾盡早覺醒，莫讓民進黨繼續主導未來數年的走向。",
"source": {
"uri": "takungpao.com.hk",
"dataType": "news",
"title": "大公报"
},
"authors": [],
"concepts": [
{
"uri": "http://en.wikipedia.org/wiki/Taiwan_(island)",
"type": "loc",
"score": 5,
"label": {
"eng": "Taiwan (island)"
},
"location": null
},
{
"uri": "http://en.wikipedia.org/wiki/Lin_Chi-ling",
"type": "person",
"score": 5,
"label": {
"eng": "Lin Chi-ling"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Pan-Green_Coalition",
"type": "org",
"score": 4,
"label": {
"eng": "Pan-Green Coalition"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Democratic_Progressive_Party",
"type": "org",
"score": 4,
"label": {
"eng": "Democratic Progressive Party"
}
},
{
"uri": "http://zh.wikipedia.org/wiki/微博",
"type": "wiki",
"score": 3,
"label": {
"eng": "微博"
}
},
{
"uri": "http://zh.wikipedia.org/wiki/今日台灣",
"type": "wiki",
"score": 3,
"label": {
"eng": "今日台灣"
}
},
{
"uri": "http://zh.wikipedia.org/wiki/何啟聖",
"type": "person",
"score": 3,
"label": {
"eng": "何啟聖"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Culture_of_Taiwan",
"type": "wiki",
"score": 3,
"label": {
"eng": "Culture of Taiwan"
}
},
{
"uri": "http://zh.wikipedia.org/wiki/親中",
"type": "wiki",
"score": 3,
"label": {
"eng": "親中"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Physician",
"type": "wiki",
"score": 3,
"label": {
"eng": "Physician"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Cross-strait_relations",
"type": "wiki",
"score": 2,
"label": {
"eng": "Cross-strait relations"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Lai_Ching-te",
"type": "wiki",
"score": 2,
"label": {
"eng": "Lai Ching-te"
}
},
{
"uri": "http://zh.wikipedia.org/wiki/台灣政治",
"type": "wiki",
"score": 2,
"label": {
"eng": "台灣政治"
}
}
],
"categories": [],
"image": "https://tkww-static.tkww.hk/new-default.png?x-oss-process=image/quality,Q_100/resize,w_1200,limit_0",
"eventUri": null,
"sentiment": null,
"wgt": 517355190,
"relevance": 1
},
{
"uri": "9231650180",
"lang": "zho",
"isDuplicate": false,
"date": "2026-05-24",
"time": "21:46:30",
"dateTime": "2026-05-24T21:46:30Z",
"dateTimePub": "2026-05-24T21:42:27Z",
"dataType": "news",
"sim": 0,
"url": "http://www.takungpao.com.hk/a/202605/25/AP6a135effe4b04773b06eb553.html",
"title": "數碼科技/酒藏管理繁複 引入手機APP - 大公文匯網",
"body": "相對於主打另類投資概念，手機應用程式（APP）WOODLANCE在產品設計上更接近一個結合收藏管理、資料紀錄及後續安排的數碼平台。Courser of Woodland創辦人林年駿表示，傳統威士忌桶交易不少仍依賴紙本文件、電郵往來及熟人介紹，對一般買家而言，最困難的並非有沒有興趣，而是繁複的後續管理流程，令其難以長期清楚掌握自己持有的酒桶資料。\n\n因此，WOODLANCE的其中一個核心方向，是把原本分散在酒廠、中介、買家與倉儲環節之間的資料集中，讓用戶可透過平台查看酒桶資訊、持有份額及相關紀錄。對用戶而言，平台除了提供購入渠道，更像一個管理界面，方便日後追蹤及處理與酒桶相關的後續流程。\n\n助酒廠更早接觸買家\n\n林年駿指出，平台亦希望服務不只個人收藏者，還包括酒廠、酒吧、餐廳及企業客戶。部分業界客戶可透過分份方式參與酒桶項目，減低一次過購入整桶的成本；酒廠亦可藉平台更早接觸潛在買家，甚至安排預售，改善現金流壓力。\n\n技術應用方面，公司表示，未來在酒款裝瓶後，將結合近場通訊功能（NFC）標籤及區塊鏈技術記錄資料，讓買家可透過手機查閱相關出處與紀錄，作為真偽驗證的一部分。林年駿形容，公司所提供的並非單純一瓶酒，而是一套更重視紀錄、管理及流通安排的數碼工具。",
"source": {
"uri": "takungpao.com.hk",
"dataType": "news",
"title": "大公报"
},
"authors": [],
"concepts": [
{
"uri": "http://en.wikipedia.org/wiki/Mobile_app",
"type": "wiki",
"score": 5,
"label": {
"eng": "Mobile app"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Near-field_communication",
"type": "wiki",
"score": 4,
"label": {
"eng": "Near-field communication"
}
},
{
"uri": "http://zh.wikipedia.org/wiki/創辦人",
"type": "wiki",
"score": 3,
"label": {
"eng": "創辦人"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Bar",
"type": "wiki",
"score": 3,
"label": {
"eng": "Bar"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Investment",
"type": "wiki",
"score": 3,
"label": {
"eng": "Investment"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Email",
"type": "wiki",
"score": 3,
"label": {
"eng": "Email"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Blockchain",
"type": "wiki",
"score": 2,
"label": {
"eng": "Blockchain"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Cash",
"type": "wiki",
"score": 2,
"label": {
"eng": "Cash"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Mobile_phone",
"type": "wiki",
"score": 2,
"label": {
"eng": "Mobile phone"
}
}
],
"categories": [],
"image": "https://dw-media.tkww.hk/dams/dwproduct/image/202605/25/6a135ef6e4b08c07fcf2c764.jpg?x-oss-process=image/quality,Q_100/resize,w_1200,limit_0",
"eventUri": null,
"sentiment": null,
"wgt": 517355190,
"relevance": 1
},
{
"uri": "9231650191",
"lang": "zho",
"isDuplicate": false,
"date": "2026-05-24",
"time": "21:46:12",
"dateTime": "2026-05-24T21:46:12Z",
"dateTimePub": "2026-05-24T21:42:27Z",
"dataType": "news",
"sim": 0,
"url": "http://www.takungpao.com.hk/a/202605/25/AP6a135e4ce4b04773b06eb528.html",
"title": "人與事/草原上遭遇「白毛風」（上）\\杜明燕 - 大公文匯網",
"body": "冬春交替時的呼倫貝爾大草原，總帶着種漫無邊際的空曠與寂寥，褪去了夏秋時節的水草豐美、牛羊成群，只剩下極致的素淨與蒼茫。極目遠眺，天地間早已被皚皚白雪鋪成了一片無垠的雪原，枯黃的草稈深埋在厚雪之下，蜿蜒的溝壑、起伏的丘陵、遠處零星的牧戶蒙古包，統統裹在厚厚的冰雪白毯之下，連風掠過的痕跡都被溫柔遮掩，天地彷彿凝固成一幅靜止的黑白畫卷，安靜得能聽見雪粒落下的細微聲響。\n\n可這片看似溫柔的靜謐，從來都藏着極烈、極無常的脾氣，像極了草原上性子直爽的牧民，前一刻還贈予你陽光刺目的暖意----澄澈的藍天沒有一絲雲朵，細碎的陽光灑在雪面上，反射出晃眼的銀光，連呼吸都帶着清冽甘甜的冷意；轉瞬間便翻臉無情，午後的風會驟然收緊，帶着零下四十攝氏度的徹骨寒意，順着衣領、袖口、褲腳往骨頭縫裏鑽，不過片刻，就能把人臉凍得發麻發紫，連指尖都失去知覺。\n\n打小就聽草原上的老人圍着火爐念叨，這草原的風碰不得，尤其不能在天色轉陰、大風起時貿然出門。他們口中最兇、最讓人膽寒的那種風，當地人喚作「大煙炮」，學名便是白毛風，是草原上名副其實的頂級自然災害。這不是普通的風雪交織，是狂風裹挾着冰粒、飛雪與寒氣形成的狂暴天災，風借雪勢，雪助風威，所到之處，天地一色，混沌不分。遇上它，放牧的人家要徹夜難眠、心驚膽戰，成群的牛羊會被狂風衝散，凍僵在茫茫雪野，或是陷進雪窩再也找不回來，一年的生計就此折損；若是行人、牧人不小心誤入風區，很容易被漫天飛雪迷了方向，失去參照物，再也走不出這片無邊雪原，輕則手腳凍傷、落下病根，重則在極寒中失去性命。世世代代扎根在草原上的人們，見過太多風雪帶來的苦難，刻在骨子裏的敬畏，讓我們對這種超越人類生存極限、肆意張揚的自然力量，始終帶着本能的、無法消解的恐懼。\n\n年前，我和老公從滿洲里開車出發，往牙克石去看望幾年未曾謀面的三姨。清晨的滿洲里還帶着冬日的慵懶餘溫，天空只零星飄着幾朵細碎的雪花，像調皮的小精靈，輕飄飄落在車窗上，轉瞬便融化成一小片水漬，誰也沒把這看似溫和的天氣放在心上。車子緩緩駛出城區，沿着公路往草原深處駛去，起初一路順暢，可漸漸就覺出了異樣。風越颳越急，原本零散的雪花被捲成密集的雪霧，視線裏的世界開始變得模糊。打開導航才發現，高速路早已因天氣惡劣全線封閉，我們只能被迫改走下面略顯崎嶇的便道。坑窪不平的路面被厚厚的積雪覆蓋，看不清坑窪與平坦，車輪輾過，發出咯吱咯吱的脆響，像是踩在易碎的冰殼上，每一步都走得小心翼翼。\n\n在三姨家吃了午飯，三姨、姨夫拉着我的手絮絮說着家常，桌上擺滿了熱氣騰騰的飯菜，眼角的皺紋裏滿是重逢的歡喜與不捨。可心裏始終惦記着家裏兩個年幼的孩子，放心不下他們，看天色不早了，我們便匆匆辭別三姨，驅車往回趕。從海拉爾到陳巴爾虎旗的路段，積雪雖厚，好歹還有前車反覆壓過的清晰車轍，車子順着車轍行駛，勉強能穩住方向，我們懸着的心也稍稍放下，只想着盡快趕回家。可車子剛駛過西烏珠爾蘇木，噩夢般的場景便毫無徵兆地鋪天蓋地襲來。\n\n狂風陡然變得狂暴無比，像是一頭被徹底激怒的巨獸，在草原上嘶吼着、狂奔着，一次次狠狠撞向車身，發出嗚嗚的咆哮聲，震得車窗嗡嗡作響。漫天雪花被狂風捲成密不透風的雪幕，橫着、豎着、斜着，瘋狂颳過路面，能見度瞬間降到極低，伸手幾乎不見五指，連車頭燈的光線都被厚厚的雪霧牢牢困住，只能照出眼前幾米遠的地方。車身像一片無助的落葉，被一隻無形的大手肆意拉扯、搖晃，左右劇烈晃動，方向盤瞬間變得無比沉重，老公雙手緊緊攥着方向盤，手臂繃得僵直，每打一次方向，都要費盡全力。車輪輾過積雪的阻力越來越大，狂風像是在前方築起了一道無形的牆，死死阻止車輪的轉動，車速驟降到極致，像一頭疲憊不堪、步履維艱的老牛，在雪地裏一點點艱難爬行。",
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"title": "伊朗隊世界盃駐地從美國遷至墨西哥 - 大公文匯網",
"body": "【大公報訊】據路透社報道：伊朗足協主席塔傑23日說，經國際足聯（FIFA）批准，伊朗國家足球隊在美墨加世界盃的駐地將從美國改為墨西哥，以「避免簽證方面的麻煩」。\n\n塔傑在伊朗足協向媒體發布的聲明中說，伊朗隊在辦理美國簽證時「遇到了一些問題」，因此向FIFA提出將其世界盃駐地從亞利桑那州圖森市改為墨西哥蒂華納市，且FIFA已經批准。蒂華納位於美墨邊境，距離美國加州南部城市聖迭戈僅約20公里。塔傑說，更改球隊駐地可避免潛在的簽證問題，伊朗球員可以乘坐伊朗航空公司的航班直飛墨西哥。FIFA暫未公開就此作出回應。\n\n伊朗隊目前正在土耳其備戰世界盃，部分球員21日向位於土耳其首都安卡拉的美國大使館遞交簽證申請。伊朗足協表示，仍不確定球員和隨行工作人員能否順利拿到美國簽證。\n\n美以伊衝突爆發以來，美伊關係極為緊張。美國國務卿魯比奧此前警告說，美方可能禁止「與伊朗伊斯蘭革命衛隊有關聯」的伊朗隊人員入境。但FIFA堅稱伊朗隊將正常參加本屆世界盃。伊朗隊的三場小組賽都將在美國境內進行，頭兩場比賽在洛杉磯，第三場在西雅圖。塔傑說，從蒂華納出發前往洛杉磯也比從圖森出發用時更短。",
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"title": "善冶若水/技與術之間\\胡恩威 - 大公文匯網",
"body": "「科技」與「藝術」，驟看是兩個世界。前者冰冷、理性，講求精確；後者溫熱、感性，追求意境。但有趣的是，把它們並置，卻發現漢字裏藏着一個隱密的紐結：「科技」裏有一個「技」，「藝術」裏有一個「術」；「技術」一詞，又恰好把「技」和「術」扣在一起。這文字遊戲，也許正是解開命題的一把鑰匙。\n\n古人論「技」與「術」，向來不偏廢。「技」是手藝，是操作，是把手放進材料裏打磨的功夫；「術」是方法，是規律，是讓手藝得以傳承、得以提升的道理。\n\n《易經》有云：「形而上者謂之道，形而下者謂之器。」道與器看似對立，卻需要一個中介來貫通，這中介便是「技術」。「技」貼近器，「術」通向道，兩者相合，才能化腐朽為神奇。一個雕刻家手握鑿刀，知道順着木紋的走勢用力，這是「技」；他明白為什麼要這樣走刀，懂得木料的肌理與光影的關係，這是「術」。缺了前者，空有構想，卻鑿不出想要的線條；缺了後者，只能是個盲目的匠人，重複着沒有靈魂的動作。\n\n所謂「創造」，從來不是純粹的靈光乍現，而是意念經過技術的通道，落實為可見可觸的存在。一幅水墨畫，看似逸筆草草，其實紙張的滲墨性、毛筆的含水性、墨色濃淡的層次，無一不是技術的積累。一幢建築，從圖紙上的構思變成矗立大地的實體，其間有多少力學的計算、材料特性的掌握、施工工序的安排。就是我們日常所見的一個蛋糕，也需要對溫度、比例、打發程度的精準拿捏，否則想法再好，出爐後也可能是一場「災難」。意念是種子，技術是土壤，沒有土壤的種子，永遠只是種子。\n\n今天我們身處人工智能的時代，許多人開始懷疑技術還重不重要。既然AI能寫詩、能繪畫、能譜曲，甚至能編寫程式，人還需要辛辛苦苦學習那些基礎功夫嗎？這恐怕是最大的誤解。須知人工智能無論多強大，本質上還是一個工具，一個極其高明的「器」。《莊子》裏有個故事，說庖丁解牛，刀刃能在骨節間遊走自如，看似神乎其技，但他自己說：「臣之所好者道也，進乎技矣。」他不是憑空得道，而是經過十九年「所解數千牛」的積累，是從「技」的層面，一步步進到「術」、乃至「道」的境界。這說明了技藝的精進，本身就是一種悟道的過程，而這個過程，是機器無法替代的。\n\n人工智能可以模仿風格，可以組合元素，但它沒有真正的創作意圖。它不知為何要在這一筆加重墨色，不懂為何這根樑柱要偏斜三度才能營造某種空間感受。這些微妙的判斷，源自創作者長年累月用眼觀察、用手實踐、用心體會的積澱，是手、眼、心在技術磨練中形成的默契。歐陽修筆下的賣油翁說得好：「無他，但手熟爾。」這個「手熟」，不是簡單的重複，而是人與技術合而為一的狀態，是一種難以程式化的默會知識。\n\n回到「科技」與「藝術」這兩個詞。它們都指向一個核心----「技術」。「科技」不應是冰冷的算法堆砌，而應是充滿人文溫度的「技」與「術」的結合；「藝術」也不只是虛無飄渺的靈感，而是高度自覺的技術行動。未來的世界，科技與藝術的邊界會愈來愈模糊，但無論怎樣交匯，最終依然得回歸到人本身，回歸到那雙熟練的手、那對敏銳的眼睛，以及那顆能夠無中生有的心靈。手握技術，心懷意念，才是創造的不二法門。",
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"title": "港事港心/香港青年逐夢航天未來可期\\胡劍江 - 大公文匯網",
"body": "5月23日，中國載人航天工程辦公室在酒泉衛星發射中心正式公布神舟二十三號載人飛行任務乘組名單，來自香港的載荷專家黎家盈成功入選，並於5月24日搭乘神舟二十三號飛船奔赴中國空間站。\n\n這是中國航天史上首次有香港籍航天員執行太空飛行任務，也是中國載人航天工程面向港澳地區選拔出的首位女性載荷專家，標誌着香港與國家航天事業深度融合邁出歷史性一步，社會各界深受鼓舞。\n\n行政長官李家超與黎家盈進行視像通話，預祝其任務圓滿成功，希望她為國家的航天事業續寫輝煌篇章。李家超另外指出，今年是國家「十五五」規劃開局之年，香港特區就迎來航天夢的歷史時刻，香港專家成為首次參與飛行任務的航天員，意義非凡，我們深感振奮，又形容這是國家給予香港特區科技人才參與國家航天事業的寶貴機會。\n\n國家始終將港青成長放在心上\n\n黎家盈的成功入選是香港的驕傲，充分體現了國家對香港的重視和信任，是「一國兩制」下香港與國家同心同行、血脈相連的生動見證。黎家盈的飛天之路背後，是香港科研力量多年來深度參與國家航天事業的堅實基礎。回顧國家重大航天項目，「嫦娥」攬月、「天問」探火、築夢「天宮」，香港特區一直積極貢獻國家航天工程，由香港科研團隊提供關鍵技術支持，不同科研機構與大學踴躍參與航天科研項目，包括為國家的月球及火星探測任務提供系統、儀器和技術支持，以及於太空進行空間搭載實驗等。\n\n香港女航天員首次參與國家航天任務，香港各界都深感激動與自豪。此次香港女航天員入選，清晰昭示着國家始終將香港的發展、香港青年的成長放在心上，為香港同胞敞開了參與國家重大工程、共享國家發展榮光的廣闊大門，讓香港得以從背後「參與支援」到「核心執行」。這一歷史性突破向世界展示了香港作為國際創新科技中心的實力，也證明了香港從來都是國家發展大局中不可或缺的重要一環。未來特區政府將推動創科發展，為香港青年參與國家重大工程創造更多機會。\n\n值得一提的是，黎家盈此次在太空將負責操作由香港科技大學牽頭研製的多光譜成像碳觀測站。這是世界上首個輕量、高分辨率、高精度的天基二氧化碳和甲烷觀測設備，能夠精準定位全球中低密度碳排放源的位置和強度，為大灣區及全國的碳減排工作提供重要數據支持。這將是香港科研人才第一次親身走進中國空間站，開展自主研發的科學實驗項目。\n\n「夢想不遙遠，也不分出身」\n\n黎家盈入選神舟二十三號乘組的消息，在香港校園和青年群體中引發強烈共鳴，點燃了無數香港青少年的航天夢想。香港多所學校迅速組織學生觀看航天員與媒體見面會直播，開展航天科普活動。\n\n黎家盈從一名普通的香港學生成長為航天員的經歷，為香港青年樹立了最好的榜樣。香港大學將進一步加強與國家航天局的合作，開設更多航天相關課程，培養更多航天科技人才，為國家航天事業發展貢獻香港力量。\n\n正如黎家盈寄語香港青少年所言，「夢想不遙遠，也不分出身。只要我們心懷家國、熱愛生活，堅持做好自己，一起為香港、為祖國貢獻智慧和力量，我們每個人都可以綻放屬於自己的光彩。」\n\n青年有發展，香港才有未來。隨着黎家盈即將出征太空，香港參與國家航天事業迎來了新的歷史起點。展望未來，香港在國家航天事業發展中將扮演更加重要的角色，擁有更加廣闊的發展空間。同時，我們期待特區政府繼續與國家航天局深化合作，建立常態化的人才交流和培養機制，為香港青年參與國家航天事業提供更多渠道和機會。\n\n全國政協委員、香港經濟民生聯盟監事副主席",
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"title": "議論風生/飛天夢圓 不負機遇 譜寫香港融入國家發展大局新篇章\\閻 峰 - 大公文匯網",
"body": "5月23日，中國載人航天工程辦公室正式公布神舟二十三號飛行乘組成員，來自香港特別行政區的黎家盈博士通過嚴格選拔和訓練獲選為乘組載荷專家，成為香港歷史上首位航天員。\n\n正如行政長官李家超在祝賀香港載荷專家參與神舟二十三號載人飛行任務致辭中指出，香港首次有科研人員作為航天員參與載人飛行任務，不僅是對其個人能力的肯定，也充分顯示國家對香港創科人才、發展及成就的高度認可，更充分體現國家對香港科技發展的高度重視和關心支持。\n\n客觀來看，這一歷史性突破，不僅是港人航天夢璀璨綻放的里程碑事件，更是新時代香港全面融入國家發展大局的有力證明，彰顯了「一國兩制」的強大生命力，意義非凡，令人振奮。\n\n為港創科注入巨大動力\n\n有感於此，本人與讀者分享以下幾點感想和建議。\n\n第一是香港科研人員首次作為航天員參與載人航天，展現了香港科研科創產業基礎堅實、人才儲備豐富，更為香港科技發展注入強大信心、提供巨大動力。載荷專家是航天員的其中一種分類，通常由科學家或專業工程人員擔任，在執行太空飛行任務時，主要負責開展空間實驗或試驗研究、操作太空實驗設備以及進行數據採集分析，同時配合其他航天員協助太空站的日常管理工作。黎家盈博士在120多位競爭者中脫穎而出，在2024年8月正式入選，先後完成了8大類、200多項訓練科目、1700多個學時，其間完成了空間科學研究與技術事業、空間站組合體管理及載人飛船和空間機械臂操作等訓練，並以優秀成績通過飛行資格評定，成功成為本次乘組成員。香港科研人員由此從國家航天事業的見證者、支持者，轉變為最直接的參與者，這既展示了香港科研人才的豐富儲備和堅實基礎，也是國家對香港科技產業發展的認可，更為香港未來科創產業發展注入強大信心和巨大動力。\n\n第二是香港出現首位航天員，直觀展現了「一國兩制」制度優勢所賦予香港的廣闊發展舞台與無限發展機遇。香港應當抓住歷史機遇，積極融入國家發展大局，以政策對接為基礎，深化科研人才共育，加快科創產業發展。近年來，兩地互聯互通進程正從經貿、基建、民生等領域向科技創新縱深拓展，此次香港專家執行載人航天任務便是這一深化的有力體現。這不僅是香港深度融入國家創新體系的重大跨越，更彰顯了新時代「一國兩制」框架下，人才與創新資源高效配置的獨特優勢。香港依託基礎研究實力與國際視野，與內地優勢互補、協同發力，參與國家科技強國建設新征程，為香港發展注入新動能。\n\n擁抱國家戰略產業機遇\n\n第三是香港要擁抱國家戰略產業發展機遇，推動香港科創力量加速崛起，為香港國際創科中心建設注入強勁動能。展望未來，香港要抓住國家戰略產業發展機遇，持續深入參與國家重大科技項目，加大國際科技人才、技術的引進力度，加大內地優秀人才的引進培養，要把香港高校優勢基礎學科上的科研優勢加快轉化為自主技術創新能力的提升、全球科技人才高地的建設、國際創科中心的形成，進而形成「參與國家工程--提升科研水平--反哺本地科創產業」的正向循環。\n\n香港各界應當牢牢把握這一重大歷史機遇，善用國家支持，優化創新生態，深化與內地高校、科研院所及科創企業在航天科技、人工智能、高端生物醫藥等前沿領域的全方位合作，以科技創新推動香港的長期繁榮穩定，在推進中國式現代化和實現中華民族偉大復興的進程中注入香港力量、展現香港擔當。",
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"title": "社評/星河可及未來可期 港人逐夢大有可為 - 大公文匯網",
"body": "2026年5月24日，一個尋常的周日，將被永遠鐫刻進香港的史冊。神舟二十三號載人飛船攜乘組順利升空，首位港人航天員黎家盈奔赴浩瀚太空，實現了港人叩問蒼穹的航天夢。從香港街頭巷尾、各大商場駐足觀看發射直播的普通市民，到千里迢迢奔赴酒泉衛星發射中心、親眼見證歷史時刻的香港師生與各界人士，全港上下共同歡呼這一屬於國家、屬於香港的榮耀時刻。這份榮光不僅屬於黎家盈一人，更體現國家對香港的深切關懷與高度信任。家國情、航天夢在此刻深度交融。這既是香港深度融入、主動服務國家發展大局的全新起點，更在全體香港市民特別是廣大青少年心中，播下勇於追夢的種子。\n\n出征儀式上，當黎家盈響亮報出「航天員，黎家盈」那一刻，現場響起雷鳴般的掌聲，人群中五星紅旗與紫荊區旗交相揮舞，成為戈壁灘上最動人的風景。飛船升空後，無數國人緊盯屏幕，隨着那一聲聲的「正常」而心潮澎湃。發射圓滿成功，行政長官李家超第一時間致以熱烈祝賀，全港市民為此感到振奮和自豪。\n\n回望香江之畔，這份喜悅與自豪早已溢滿全城：行政長官和兩位局長與黎家盈視像通話、加油鼓勁，社會各界、各社團積極組織觀看直播，市民紛紛守在屏幕前，共同見證激動人心一刻。最令人動容的，是無數香港青少年被點燃的航天熱情：不少港人和師生遠赴酒泉現場，近距離感受榮耀一刻；本地各級學校組織師生集體觀看直播，青年學子眼中滿是興奮和憧憬。從戈壁發射場到維多利亞港，一場跨越數千里的航天盛事，燃起了全體港人濃厚的家國情懷，讓航天成為香港社會的全民話題。\n\n黎家盈成功進入太空，創造了多項「第一」。她既是首位踏足太空的港人，也成為中國空間站首位女性載荷專家。這既是個人拚搏奮鬥的結果，更離不開國家對香港的高度信任與大力支持。從一名香港女性，脫穎而出成為香港首個航天員，首先離不開個人的天分和努力。黎家盈扎實的學術能力、過硬的綜合素質，面對挑戰迎難而上、永不服輸的獅子山精神，體現了香港擔當，展現了港人風采，也讓她牢牢抓住千載難逢的機遇，實現了人生夢想。但必須看到，個人的努力從來離不開國家機遇和系統的托舉。沒有國家科技發展和航天強國戰略提供的舞台，港人登上太空是遙不可及的。類似的事例還有很多，也有越來越多過去港人想都不敢想的機遇變成現實，國家持續為港人搭建起施展才華、實現夢想的廣闊平台，這也是全港民眾為黎家盈圓夢而倍感自豪的主要原因。\n\n航天事業發展，也是香港融入和服務國家大局的縮影，集中展現香港從國家發展的受益者到參與者、建設者，從幕後支持到走向台前、進入核心的歷程。香港擁有國際頂尖高校和科研人才，在空間信息技術、精密儀器研發、航天生物醫學、數據分析處理等多個領域有較強研發實力，為國家載人航天、月球探測、深空探測等重大工程提供關鍵技術支撐，默默助力中國航天事業騰飛。隨着國家對香港的國際創科中心的定位強化和持續賦能，香港科研力量深度融入國家航天創新體系，從過去的間接參與，到如今港人直接進入太空，標誌着香港在國家航天事業中的角色不斷升級，真正實現以自身所長貢獻國家所需，並發揮不可替代的獨特作用。\n\n港人深度參與國家航天事業，將為香港國際創科中心建設和高質量發展注入強勁動力。載人航天是人類科學技術皇冠上的明珠，集合了人工智能、信息通訊、高端製造、新材料、生命科學等諸多前沿技術，是引領未來產業的核心領域。港人首次登上太空，不僅具有象徵意義，更將推動香港聚焦航天相關前沿產業，帶動本土創科突破，為香港基礎科研成果的檢驗、落地、產業化轉化提供最高層級的場景和平台。與此同時，航天產業鏈的延伸拓展，將激發香港創新活力，優化產業結構，為香港培育新質生產力、推動經濟高質量發展提供新的增長引擎，更好融入和服務國家創新體系。\n\n這一歷史時刻，更在無數香港青少年心中，種下航太夢的種子，為年輕一代打開無限發展可能。能夠入選航天員、親身奔赴太空的人，終究只是極少數，但航天只是一個縮影，還有更多以前曾經遙不可及的夢，如今正在照進現實。特區政府最新表示，會把握首次有香港專家參與執行國家航天飛行任務的歷史時刻，進一步提升科普教育，激發青少年投身創科領域，為國家和香港特區培育更多創科人才。隨着香港深度融入國家發展大局，將有越來越多過去難以企及的機會，將向香港青年敞開大門。過去香港年輕人理想的職業選擇，多集中在金融、法律、醫療等領域，未來在深度融入國家發展中，將為青年提供更多元、更豐富的成長賽道。背靠強大祖國，立足粵港澳大灣區，香港青年可以盡情追逐夢想、施展抱負，人生擁有無限可能。\n\n香港首位航天員順利登上太空，是一場生動直觀的航天科普，更是一堂深入人心的愛國主義教育課。它用最具衝擊力的事實和畫面告訴港人，國家發展不僅是宏大敘事，更與每個人的未來息息相關。家國情牽繫航天夢，航天夢築就家國興，這載入史冊的歷史時刻，有利凝聚全港共識，激勵更多香港青年胸懷家國、逐夢前行，在服務國家發展中書寫屬於自己、屬於香港的精彩篇章。",
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