Topics
Countries
China News
Would you like to access news/blog content published by sources located in China?
Code example
If you'd like to make a REST call, then make a following POST request:
Endpoint /api/v1/article/getArticles
Request body
{
"sourceLocationUri": "http://en.wikipedia.org/wiki/China",
"resultType": "articles",
"apiKey": "API_KEY"
}
If you'd like instead to do a GET request then call:
/api/v1/article/getArticles?sourceLocationUri=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FChina&resultType=articles&apiKey=API_KEY
Example of JSON response
Below is an example JSON object that you would receive as the result of the request. You can retrieve also additional properties such as concepts, categories, source details, etc. by specifying additional parameters in the request as described on the documentation page.
{
"articles": {
"results": [
{
"uri": "9231665156",
"lang": "zho",
"isDuplicate": true,
"date": "2026-05-24",
"time": "22:09:04",
"dateTime": "2026-05-24T22:09:04Z",
"dateTimePub": "2026-05-24T22:08:38Z",
"dataType": "news",
"sim": 0,
"url": "https://www.news.cn/20260525/2356dad5f66f42728cbb28b15a24a9b3/c.html",
"title": "美国务卿：美伊协议草案获多国支持",
"body": "新华社华盛顿5月24日电（记者颜亮 徐剑梅）正在印度访问的美国国务卿鲁比奥24日对媒体说，美国与伊朗之间的协议草案已获多个中东地区国家支持。\n\n鲁比奥说，目前地区内已有七到八个国家支持这一草案，美方准备继续推进。\n\n鲁比奥还称，核谈判具有高度专业性，\"不可能72小时内在餐巾背面（写写）就搞定核事务\"，但美总统特朗普阻止伊朗获得核武器的承诺不应受到质疑。\n\n当天早些时候，特朗普在社交媒体发文说，与伊朗的谈判\"正在以有序且建设性的方式进行\"，他已告知美方代表，不必急于与伊朗达成协议。",
"source": {
"uri": "news.cn",
"dataType": "news",
"title": "news.cn"
},
"authors": [],
"concepts": [
{
"uri": "http://en.wikipedia.org/wiki/Iran",
"type": "loc",
"score": 5,
"label": {
"eng": "Iran"
},
"location": {
"type": "country",
"label": {
"eng": "Iran"
}
}
},
{
"uri": "http://en.wikipedia.org/wiki/Donald_Trump",
"type": "person",
"score": 4,
"label": {
"eng": "Donald Trump"
}
},
{
"uri": "http://en.wikipedia.org/wiki/United_States_Secretary_of_State",
"type": "wiki",
"score": 3,
"label": {
"eng": "United States Secretary of State"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Middle_East",
"type": "loc",
"score": 3,
"label": {
"eng": "Middle East"
},
"location": null
},
{
"uri": "http://en.wikipedia.org/wiki/Nuclear_weapon",
"type": "wiki",
"score": 3,
"label": {
"eng": "Nuclear weapon"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Xinhua_News_Agency",
"type": "wiki",
"score": 3,
"label": {
"eng": "Xinhua News Agency"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Washington,_D.C.",
"type": "loc",
"score": 3,
"label": {
"eng": "Washington, D.C."
},
"location": {
"type": "place",
"label": {
"eng": "Washington, D.C."
},
"country": {
"type": "country",
"label": {
"eng": "United States"
}
}
}
}
],
"categories": [
{
"uri": "news/Politics",
"label": "news/Politics",
"wgt": 56
}
],
"image": null,
"eventUri": null,
"sentiment": null,
"wgt": 517356544,
"relevance": 1
},
{
"uri": "9231665160",
"lang": "zho",
"isDuplicate": true,
"date": "2026-05-24",
"time": "22:08:53",
"dateTime": "2026-05-24T22:08:53Z",
"dateTimePub": "2026-05-24T22:08:38Z",
"dataType": "news",
"sim": 0,
"url": "https://www.news.cn/20260525/313f318d73e94a80b750d7e80ab8f4ca/c.html",
"title": "神舟二十三号｜神舟二十三号航天员乘组顺利进驻\"天宫\" 中国航天员完成第8次\"太空会师\"",
"body": "新华社酒泉5月25日电（记者李国利、高蕊）神舟二十三号航天员乘组25日顺利进驻\"天宫\"，中国航天员完成第8次\"太空会师\"。\n\n据中国载人航天工程办公室介绍，在载人飞船与空间站组合体成功交会对接后，神舟二十三号航天员乘组从飞船返回舱顺利进入轨道舱。25日5时13分，在轨执行任务的神舟二十一号航天员乘组打开\"家门\"，欢迎远道而来的神舟二十三号航天员乘组入驻中国空间站。随后，两个航天员乘组拍下\"全家福\"，共同向牵挂他们的全国人民报平安。\n\n这是中国航天史上第8次\"太空会师\"，也是\"天宫\"首次有来自香港的航天员进驻。\n\n后续，两个航天员乘组将在空间站进行在轨轮换。",
"source": {
"uri": "news.cn",
"dataType": "news",
"title": "news.cn"
},
"authors": [],
"concepts": [
{
"uri": "http://zh.wikipedia.org/wiki/神舟飛船",
"type": "wiki",
"score": 5,
"label": {
"eng": "神舟飛船"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Space_station",
"type": "wiki",
"score": 5,
"label": {
"eng": "Space station"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Astronaut",
"type": "wiki",
"score": 5,
"label": {
"eng": "Astronaut"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Chinese_space_program",
"type": "wiki",
"score": 4,
"label": {
"eng": "Chinese space program"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Reentry_capsule",
"type": "wiki",
"score": 3,
"label": {
"eng": "Reentry capsule"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Human_spaceflight",
"type": "wiki",
"score": 3,
"label": {
"eng": "Human spaceflight"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Xinhua_News_Agency",
"type": "wiki",
"score": 3,
"label": {
"eng": "Xinhua News Agency"
}
}
],
"categories": [],
"image": null,
"eventUri": null,
"sentiment": null,
"wgt": 517356533,
"relevance": 1
},
{
"uri": "9231664397",
"lang": "zho",
"isDuplicate": false,
"date": "2026-05-24",
"time": "22:08:46",
"dateTime": "2026-05-24T22:08:46Z",
"dateTimePub": "2026-05-24T22:07:35Z",
"dataType": "news",
"sim": 0,
"url": "https://k.sina.com.cn/article_6579479608_m1882ae43803302kaou.html",
"title": "时代少年团默契答题收官，严浩翔成距离测量焦点",
"body": "#丁程鑫# 这是我的西游今日收官 默契排序第六题，根据相间距离长度从小到大填写两个物体。 时代少年团-严浩翔 答左眼到右眼的距离， 六小龄童 答脚趾到脚后跟的距离， 时代少年团队长-马嘉祺 答我和小严的距离，四号位 谢娜 五号位 于洋_脸脸 六号位 时代少年团-丁程鑫 七号位 时代少年团-宋亚轩 八号位 时代少年团-刘耀文 纷纷回答小严与我的距离， 时代少年团-张真源 答小严到酒店的距离， 时代少年团-贺峻霖 答南沙群岛到漠河的距离， 杨迪 答自己到地球另一面的距离， 唐国强 答地球到月球的距离，主打一个严浩翔神传丁程鑫、宋亚轩、刘耀文意会，少年们的默契杠杠的！",
"source": {
"uri": "k.sina.com.cn",
"dataType": "news",
"title": "k.sina.com.cn"
},
"authors": [],
"concepts": [
{
"uri": "http://zh.wikipedia.org/wiki/丁程鑫",
"type": "person",
"score": 4,
"label": {
"eng": "丁程鑫"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Earth",
"type": "wiki",
"score": 4,
"label": {
"eng": "Earth"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Xie_Na",
"type": "person",
"score": 3,
"label": {
"eng": "Xie Na"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Liu_Xiao_Ling_Tong",
"type": "person",
"score": 3,
"label": {
"eng": "Liu Xiao Ling Tong"
}
},
{
"uri": "http://zh.wikipedia.org/wiki/杨迪",
"type": "person",
"score": 2,
"label": {
"eng": "杨迪"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Tang_Guoqiang",
"type": "person",
"score": 2,
"label": {
"eng": "Tang Guoqiang"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Song_dynasty",
"type": "loc",
"score": 2,
"label": {
"eng": "Song dynasty"
},
"location": null
},
{
"uri": "http://en.wikipedia.org/wiki/Spratly_Islands",
"type": "loc",
"score": 2,
"label": {
"eng": "Spratly Islands"
},
"location": null
}
],
"categories": [],
"image": "http://n.sinaimg.cn/sinakd20260525ac/200/w640h360/20260525/a527-4c24aef8d350f7c5b9c04f245e377bf7.jpg",
"eventUri": null,
"sentiment": null,
"wgt": 517356526,
"relevance": 1
},
{
"uri": "9231664421",
"lang": "zho",
"isDuplicate": false,
"date": "2026-05-24",
"time": "22:08:42",
"dateTime": "2026-05-24T22:08:42Z",
"dateTimePub": "2026-05-24T22:07:35Z",
"dataType": "news",
"sim": 0,
"url": "https://k.sina.com.cn/article_7879776328_1d5abd84806801lpz4.html",
"title": "任贤齐汕头失控！连吃三场演唱会，美食非遗双重盛宴",
"body": "当任贤齐在镜头前既兴奋又忐忑地说出\"我一定会在汕头失控\"时，没人想到，这位华语乐坛的\"不老男神\"真的在潮汕美食面前彻底\"缴械\" -- -- 连续三场演唱会间隙，他不仅吃遍了牛肉火锅、卤水大餐，还一头扎进非遗文化里，把汕头之行变成了\"舌尖与匠心\"的双重盛宴。\n\n一、\"又期待又害怕\"的汕头之约\n\n2026年4月27日，刚结束泉州站演唱会的任贤齐在社交媒体上发布了一段视频，坦言自己正奔赴一个\"又期待又害怕\"的地方 -- -- 汕头。他解释道：\"期待是我一直很想去那边好好的走走逛逛，了解潮汕的文化；害怕是因为太多美食了，我一定会失控。\" 这份\"害怕\"很快在5月22日至24日的\"齐迹2026\"汕头演唱会期间变成了现实。据当地媒体报道，任贤齐在中旬便提前抵达汕头，目的明确：\"学英歌舞，吃牛肉火锅\"。而粉丝们则调侃道：\"演唱会前先吃个爽！任贤齐汕头行差点'圆一圈'。\"\n\n二、火锅里的潮汕灵魂\n\n如果说汕头有一道必尝的\"入门级\"美食，那非牛肉火锅莫属。任贤齐显然深谙此道。在提前踩点的日子里，他被目击出现在多家本地牛肉火锅店，不仅大快朵颐，还饶有兴致地研究起\"三花趾\"\"五花趾\"的不同口感。潮汕牛肉火锅讲究\"鲜\"字当头，从屠宰到上桌不超过四小时，任贤齐一边涮着雪花牛肉，一边感叹：\"原来牛肉可以嫩到这种程度！\" 除了火锅，他还打卡了卤水火锅 -- -- 这种以老卤为汤底的特色吃法，让他在演唱会后台的宵夜时间也忍不住加单。有网友拍到他在某家大排档吃大席的画面，直呼\"太接地气了\"。\n\n三、从\"白糜\"到\"促肉\"的宵夜江湖\n\n汕头被誉为\"中国宵夜的发源地\"，任贤齐自然不会错过这里的深夜食堂。一碗看似简单的\"白糜\"（白粥），搭配咸菜、菜脯、生腌血蛤、鱼饭，便是一桌豪华的潮式\"打冷\"。有现场工作人员透露，小齐哥在演出结束后，曾专门让当地朋友带路，去了一家藏在巷子里的夜排档，点了一锅柠檬促肉 -- -- 清汤里现涮的猪肉片配上柠檬和金不换，酸爽鲜香，让他忍不住连喝三碗汤。 此外，他还在当地人的推荐下尝试了肠粉届的\"标杆\"：米香绵润的肠粉皮裹着新鲜虾仁和蛋液，淋上特制酱油，用他的话说，\"比我在广东其他地方吃过的都薄都滑\"。\n\n四、文化浸润：舌尖之外的手艺温度\n\n美食之外，任贤齐此行更重要的收获是亲身体验了潮汕非遗文化。他在自己的微博中详细记录了这次\"拜师\"经历：跟潮州手拉朱泥壶匠人学\"心静手稳，壶才有魂\"，感受一把壶里藏的百年呼吸；看潮州彩瓷的\"白瓷作画，金线勾边\"，惊叹\"一笔画错，整窑重来\"的匠人坚持；舞起鲤鱼舞时才发觉\"腰力臂力实在不简单\"，自嘲\"还是回去唱《我是一只鱼》好了\"；而潮州大锣鼓的\"中华最强节奏组\"更让他打得汗流浃背、直呼痛快。\n\n最打动他的，是潮州工夫茶艺。当他亲眼目睹\"关公巡城\"杯杯公平、\"韩信点兵\"滴滴人情时，感慨道：\"公平里有人情，人情中见公平。以前喝茶解渴，这回喝暖了心。\" 他还在演唱会上特意安利电影《给阿嬷的情书》，分享潮汕人下南洋打拼的故事，将美食与文化、乡愁与坚守融为一体。",
"source": {
"uri": "k.sina.com.cn",
"dataType": "news",
"title": "k.sina.com.cn"
},
"authors": [],
"concepts": [
{
"uri": "http://en.wikipedia.org/wiki/Siu_yeh",
"type": "wiki",
"score": 5,
"label": {
"eng": "Siu yeh"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Chaoshan",
"type": "loc",
"score": 5,
"label": {
"eng": "Chaoshan"
},
"location": null
},
{
"uri": "http://en.wikipedia.org/wiki/Richie_Jen",
"type": "person",
"score": 5,
"label": {
"eng": "Richie Jen"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Hot_pot",
"type": "wiki",
"score": 5,
"label": {
"eng": "Hot pot"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Beef",
"type": "wiki",
"score": 5,
"label": {
"eng": "Beef"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Concert",
"type": "wiki",
"score": 5,
"label": {
"eng": "Concert"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Shantou",
"type": "loc",
"score": 5,
"label": {
"eng": "Shantou"
},
"location": {
"type": "place",
"label": {
"eng": "Shantou"
},
"country": {
"type": "country",
"label": {
"eng": "China"
}
}
}
},
{
"uri": "http://en.wikipedia.org/wiki/Lemon",
"type": "wiki",
"score": 4,
"label": {
"eng": "Lemon"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Chaozhou",
"type": "loc",
"score": 4,
"label": {
"eng": "Chaozhou"
},
"location": {
"type": "place",
"label": {
"eng": "Chaozhou"
},
"country": {
"type": "country",
"label": {
"eng": "China"
}
}
}
},
{
"uri": "http://zh.wikipedia.org/wiki/蘿蔔乾",
"type": "wiki",
"score": 3,
"label": {
"eng": "蘿蔔乾"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Shin'ya_Shokudō",
"type": "wiki",
"score": 3,
"label": {
"eng": "深夜食堂"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Yingge_dance",
"type": "wiki",
"score": 3,
"label": {
"eng": "Yingge dance"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Qing_dynasty",
"type": "loc",
"score": 3,
"label": {
"eng": "Qing dynasty"
},
"location": null
},
{
"uri": "http://zh.wikipedia.org/wiki/白粥",
"type": "wiki",
"score": 3,
"label": {
"eng": "白粥"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Dai_pai_dong",
"type": "org",
"score": 3,
"label": {
"eng": "Dai pai dong"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Cellophane_noodles",
"type": "wiki",
"score": 3,
"label": {
"eng": "Cellophane noodles"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Shrimp_and_prawn_as_food",
"type": "wiki",
"score": 3,
"label": {
"eng": "Shrimp and prawn as food"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Mandopop",
"type": "wiki",
"score": 3,
"label": {
"eng": "Mandopop"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Pickling",
"type": "wiki",
"score": 3,
"label": {
"eng": "Pickling"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Pork",
"type": "wiki",
"score": 3,
"label": {
"eng": "Pork"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Soy_sauce",
"type": "wiki",
"score": 3,
"label": {
"eng": "Soy sauce"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Animal_slaughter",
"type": "wiki",
"score": 3,
"label": {
"eng": "Animal slaughter"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Snow",
"type": "wiki",
"score": 3,
"label": {
"eng": "Snow"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Quanzhou",
"type": "loc",
"score": 3,
"label": {
"eng": "Quanzhou"
},
"location": {
"type": "place",
"label": {
"eng": "Quanzhou"
},
"country": {
"type": "country",
"label": {
"eng": "China"
}
}
}
},
{
"uri": "http://en.wikipedia.org/wiki/Gongfu_tea",
"type": "wiki",
"score": 2,
"label": {
"eng": "Gongfu tea"
}
},
{
"uri": "http://zh.wikipedia.org/wiki/微博",
"type": "wiki",
"score": 2,
"label": {
"eng": "微博"
}
},
{
"uri": "http://zh.wikipedia.org/wiki/潮州大锣鼓",
"type": "wiki",
"score": 2,
"label": {
"eng": "潮州大锣鼓"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Guan_Yu",
"type": "person",
"score": 2,
"label": {
"eng": "Guan Yu"
}
},
{
"uri": "http://en.wikipedia.org/wiki/Guangdong",
"type": "loc",
"score": 2,
"label": {
"eng": "Guangdong"
},
"location": {
"type": "place",
"label": {
"eng": "Guangdong"
},
"country": {
"type": "country",
"label": {
"eng": "China"
}
}
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"title": "张震在话剧《江/云·之/间》中饰演的江滨柳，与金士杰的经典版本有何不同？",
"body": "张震在赖声川话剧《江/云·之/间》中诠释的江滨柳，与金士杰1986年《暗恋桃花源》奠定的经典版本相比，以截然不同的生命气质与时代视角，重新解构了这段跨越四十年的离散与执念。\n\n一、角色内核：从时代悲怆到个体浪漫\n\n金士杰版的江滨柳，承载着1949年大迁徙一代的集体创伤。他演绎的不仅是个人命运，更是\"所有离散灵魂的缩影\" -- -- 病榻上与云之凡重逢时那句\"这些年，你有没有想过我？\"，在1986年的首演中迸发着\"激昂的崩溃\"，四十年后重读则化作\"轻如鸿毛却重如泰山的颤抖\"，将历史洪流中个体的无力感凝练成时代的史诗感。\n\n而张震的江滨柳，更聚焦于个体情感的浪漫化执守。他刻意淡化忧郁底色，直言\"以前觉得江滨柳必须忧郁，但这次我想让他快乐\"。通过大量书信独白，他呈现角色对往事的反复咀嚼 -- -- 无论是幻想追一只不存在的\"小白猫\"，还是深夜伏案书写未寄出的信，皆以细腻的肢体语言将执念转化为私人仪式感，成就\"浪漫与执着的化身\"。\n\n二、表演技法：电影化细节与舞台张力的碰撞\n\n金士杰的表演如泼墨写意，以极具爆发力的台词和肢体塑造角色符号感。其标志性的佝偻背影、急促喘息，让江滨柳成为时代苦难的具象图腾，观众评价其\"意气风发如战士\"的气场实为乱世中知识分子的精神铠甲。\n\n张震则发挥电影表演优势，赋予角色\"窝囊懦弱\"的凡人质感。他设计北方口音（如\"八个\"念作\"拔个\"）贴近角色长春籍贯，更以微表情传递复杂心绪：云之凡现身病房时，他\"努力微笑却眼眶亮闪\"的克制；妻子美如缴费离去时，他手指无意识蜷缩的信封。这种\"电影质感的细腻张力\"，让舞台空间的留白处填满心理暗流。\n\n三、叙事重构：书信美学与时空解构\n\n两版差异亦源于剧本视角变革。《暗恋桃花源》以\"桃花源\"喜剧线对冲江滨柳的悲剧，留白四十年人生；而《江/云·之/间》用书信串联时空，张震需在\"读信\"场景中同时演绎青年憧憬与暮年幻灭。他形容每次病房回望云之凡\"如针扎般的痛感\"，恰是文本对\"等待\"的美学重构 -- -- 正如他所言，书信的延迟感如\"泡面等待三分钟\"，比即时通讯更具情感重量。\n\n舞台设计更强化代际差异：金士杰时代以写实布景浓缩战乱离散；张震版则用移动盒子象征记忆碎片，辅以胡德夫民谣构建\"抽离式旁观\"。当胡德夫弹唱《五百英里》时，张震静坐台侧写信的身影，既是角色对乡愁的和解，亦是对金士杰宏大叙事的温柔回应。\n\n四、创作观照：自信解缚与时代对话\n\n面对经典角色的压力，两人选择了迥异的破题路径。金士杰以\"人有人的命，戏有戏的命\"的哲思，将个体生命融入历史长河；张震则以\"我一定是最好江滨柳\"的自信宣言完成心理建设，其底气源于个人与角色的隐秘联结 -- -- 姥爷同为长春人的身世，让他\"贴近那一代人的生命轨迹\"。这种\"不比较，要自信\"的姿态，恰是新生代表演者对经典的全新叩问：当时代悲情淡去，个体如何以浪漫抵抗遗忘？",
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"title": "张震话剧首秀诠释乡愁 回应未来规划：专注当下",
"body": "当镁光灯聚焦于国家大剧院舞台上的江滨柳，张震以话剧首秀之姿将半生疏离的乡愁揉进骨血，却在掌声如潮的幕后轻描淡写：\"把当下做好，至关重要\" -- -- 这句回应，正是他叩问艺术本质时最诚实的注脚。\n\n在时光褶皱里打捞未寄出的信：张震的江滨柳与一场\"不问归途\"的舞台修行\n\n1. 首登舞台的忐忑与\"过瘾\"\n\n2024年深秋的乌镇戏剧节，《江/云·之/间》幕布初启，张震首次以话剧演员身份立于台前。这份勇气酝酿已久 -- -- 从14岁《牯岭街少年杀人事件》的银幕惊鸿，到《一代宗师》《刺客聂隐娘》的淬炼，三十余载光影生涯中，舞台始终是他未涉足的秘境。赖声川将《暗恋桃花源》中那段被战火割裂四十年的爱情留白交予他，他接下了，却坦言面对观众审视时\"很是忐忑\"。排练场的台词打磨、肢体控制，皆是与镜头表演迥异的修行。当剧场暗下、追光亮起，他化身暮年江滨柳，在台北病房回望半生错失，一封封未能寄出的信成了穿越时光的舟楫。首演落幕，他眼底的光却愈发灼亮：\"演话剧，很过瘾。\"\n\n2. 生命经验与角色的隐秘共振\n\n张震的江滨柳，并非对金士杰经典版本的复刻，而是一次私人化的\"血肉重构\"。他鲜少言明的是，角色身上沉淀着家族记忆的余温 -- -- 剧中人辗转漂泊的宿命感，与张震外公的人生轨迹形成微妙映照。他将这份隐秘的乡愁织入表演：垂首读信时凝固的肩线，望向虚空时失焦的瞳孔，甚至呼吸间压抑的颤抖，皆将文字未能言尽的苍茫化入骨相。导演赖声川给予演员充沛的诠释空间，张震得以用电影式的细腻肌理，在舞台上雕刻出人物沉溺思念的\"神游状态\"，让观众窥见战乱年代离散者灵魂的裂隙。\n\n3. \"不谈未来\"的仪式感：消解的不仅是剧场边界\n\n2026年5月，北京国家大剧院的幕布几度开合。记者追问是否延续话剧之路，张震的回答如剧中人般克制：\"享受当下角色，不谈未来。\" 这绝非敷衍，而是对舞台艺术的虔诚交付。话剧于他，是剥离剪辑与重来的\"即时艺术\"，每一场演出都是与观众共谋的不可逆仪式。台侧钢琴家胡德夫的即兴吟唱，台上萧艾饰演的云之凡隔空相望的信笺，乃至观众席偶然的轻叹，皆成为他\"在场\"的养分。恰如剧中那句叩问：\"谁在写我们的生命？\" -- -- 答案或许正是今夜走进剧场的千百人，共同谱写了这场流动的梦。\n\n4. 沉默的致敬与未竟的乡愁\n\n张震的沉默哲学，亦是对艺术传承的深沉回响。当金士杰版江滨柳已成时代符号，他选择以\"致敬\"而非\"超越\"的姿态靠近经典。舞台上，他藏起明星锋芒，甘愿成为赖声川诗性宇宙里的一个注脚；舞台下，他拒绝用\"未来规划\"解构此刻的纯粹。这份专注让漂泊的叙事落地生根：青岛巡演时，有观众从江滨柳的咳嗽声中听见父辈渡海的呛咳；乌镇场灯暗去后，那句\"人生啊就像一条路，一会儿西一会儿东\"的余韵在观者心间盘桓数日。乡愁不再仅是地理坐标的离散，更成为现代人精神原乡的隐喻 -- -- 而张震的江滨柳，恰是照见众生执念的那面碎镜。\n\n结语：当\"当下\"成为永恒",
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"body": "7月27日，汪峰被拍到带着四个孩子从日本旅游返京，罕见同框的画面迅速引发热议。照片中，汪峰右手牵着8岁的醒醒，左手牵着11岁的二女儿汪璟怡，18岁的大女儿小苹果则紧随其后。小苹果全程独立推行李，气质出众，成为焦点。\n\n此次旅行被网友称为\"两家八人团\"，除了汪峰和四个孩子外，还包括女友森林北（李巧）及其母亲、女儿。这也是汪峰与章子怡离婚后，四个孩子首次集体公开亮相。尽管四个孩子分属三位母亲 -- -- 葛荟婕、康作如和章子怡，但机场画面显示兄妹关系融洽，汪峰也多次回头关注大女儿及幼子的动态，幼子则由保姆陪同照顾。\n\n网友对此反应不一，有人调侃：\"森林北呢？怎么没一起？\"也有人感叹：\"是个好爸爸，每次离婚都要了孩子\"，还有人调侃娱乐圈现状：\"娱乐圈真好，有钱随便玩。\"而小苹果的高颜值和独立气质则收获不少赞美：\"小苹果真的很有明星气质，遗传了妈妈的好基因。\"\n\n这次旅行被曝是暑期家庭出游，汪峰全程照顾孩子，展现\"奶爸\"形象。尽管感情经历复杂，但四个孩子相处和谐，也让不少网友感慨：\"不管大人怎么样，孩子们关系好才是最重要的。\"\n\n汪峰的感情生活向来备受关注，而这次全家出游，不仅让外界看到他与孩子们的互动，也再次引发关于重组家庭、亲子关系的讨论。或许，对汪峰来说，能带着四个孩子一起旅行，已经是另一种意义上的\"圆满\"了。",
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"title": "业内是如何评价王鹤棣在这次争议事件中的表现和成长的？",
"body": "在2026年5月《亲爱的客栈》的\"鸳鸯锅风波\"中，王鹤棣因节目组刻意剪辑被贴上\"情绪失控\"标签，却意外引发业内对其十年成长轨迹的深度审视 -- -- 从摔面具的莽撞少年到包容理性的管理者，这场争议成为检视其蜕变与职业素养的镜像。\n\n一、业内共识：情绪管理能力进阶，职场素养获专业背书\n\n反转的\"失控\"真相\n\n节目中员工误将鸳鸯锅做成双辣锅，面对推诿责任与冷脸抵触，王鹤棣以\"洗锅麻烦，就这样上吧\"主动妥协，全程未指责、摔物或抬高声调。业内指出，其反应聚焦问题解决而非情绪宣泄：确认错误后兼顾客户体验与员工压力，提出\"分桌用餐\"的补救方案，被职场心理学博主视为\"情压平衡的黄金模型\"。何炅在后采中直言此为\"高共情力\"，强调他事后第一反应是担忧同事情绪：\"怕泽林不开心，是否我说话太重？\"\n\n从\"摔面具\"到\"稳舵者\"的蜕变\n\n对比2017年《超次元偶像》中因赛制误解愤然摔面具的19岁少年，十年后的王鹤棣展现出闭环式情绪处理能力。业内分析认为，其成长源于三重淬炼：\n\n市井基因提供韧性基底：父母炸串店帮工经历，使其习惯以行动替代抱怨（如片场优先群演戏份减轻负担）；\n\n专业敬畏驱动自我迭代：将恶评当\"错题本\"苦练台词，为《黑夜告白》素颜出镜、考取法医证；\n\n责任感覆盖个人情绪：《大奉打更人》拍摄中忍淤青活跃气氛，客栈主理期主动承担晚班。\n\n二、争议本质：公众人物表达边界的行业反思\n\n公开表达的双刃效应\n\n业内争议聚焦其深夜发文\"当时确实不舒服\"的后续影响。支持方认为，八年隐忍后坦诚感受是真实成长（如圈美伢所述\"敏感是边界温差的本能觉察\"）；批评声则指出，公开情绪易被流量裹挟成站队导火索（如石榴麻麻伢所言\"私下沟通解决问题，公开表达激发审判\"）。综艺制作人透露，节目组刻意以\"失控\"营销掩盖真相，折射行业\"冲突变现\"的畸形逻辑。\n\n玩笑尺度的集体叩问\n\n\"你只是个王鹤棣奖\"\"改名王鹤底\"等颁奖词，被多位媒体人质疑超出幽默范畴，实为职场软性贬抑。程林柒等业内工作者强调，熟人关系不应豁免尊重底线，\"长期调侃他人者被冒犯后发声，恰映射行业对言语边界的普遍失察\"。\n\n三、成长认证：行业口碑印证人格与专业双突围\n\n合作者背书\"零差评\"职业态度\n\n剧组群演、服装师等基层工作者多次自发声援：横店拍戏时主动调整流程让群演避暑，采访超时不删提纲、配合补录至深夜；《桃花坞》导演评价其\"对所有人一视同仁的真诚\"。\n\n媒体眼中的\"高好感度样本\"\n\n连续三年蝉联媒体好感度艺人TOP3（2022-2024），记者称其\"内娱充电宝\" -- -- 30分钟采访延至1小时仍耐心回应，记住每位记者名字。NBA名人赛18分首秀、政法高校引用其剧作当案例，进一步拓宽实力认知。\n\n结语：喧哗中的沉淀，风暴里的清醒",
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"title": "六小龄童再现\"烦死了\"表情包，一个即兴动作如何引爆四十年回忆？",
"body": "当六小龄童在2025年新春游园会上轻旋金箍棒、一颦一笑间精准复刻孙悟空\"烦死了\"的经典表情时，时光仿佛倒流至四十年前，那个在摄像机前皱眉挠腮的齐天大圣竟穿越而来，以鲜活之姿引爆全网 -- -- 这一刻，表情包不再是碎片化娱乐的符号，而是经典文化与当代传播共振的绝佳注脚。\n\n一帧抓拍，半生回响：表情包背后的匠心与偶然\n\n2026年4月，一则采访揭开了\"烦死了\"表情包的神秘面纱：这并非刻意设计，而是1986年拍摄《西游记续集》时导演的灵光一现。彼时片场反复NG，身着厚重猴戏行头的六小龄童因疲惫与焦躁自然流露的皱眉、撇嘴、挠耳瞬间被镜头捕捉。四十年后，这个\"忘词抓拍\"的幕后花絮意外成为全网通用的解压符号，日均转发量超百万次。网友戏称其\"完美契合打工人灵魂\"，而六小龄童对此报以豁达一笑：\"这是演员真实的生命状态，能被时代记住是经典的幸运。\"\n\n从争议到和解：经典守护者的传播观嬗变\n\n早期面对孙悟空形象的二次创作，六小龄童曾强调\"尊重原著精神\"，警惕过度娱乐化消解文化内核。但随着时代更迭，他的态度悄然转变：\n\n- 主动拥抱新媒介：2025年杭州\"美猴王书屋\"活动中，他亲自还原表情包动作，肯定其\"趣味解读\"的价值，甚至调侃\"烦死了\"是当代人共鸣的情绪出口。\n\n- 跨界赋能新载体：他公开支持《黑神话：悟空》等游戏对西游文化的创新演绎，称\"科技让经典活得更年轻\"。\n\n这番转变被网友评价为\"从较真老艺术家到豁达表情包本人\"的蜕变，折射出经典传承中\"守护\"与\"破圈\"的辩证智慧。\n\n猴王不死：一场跨越四十年的艺术对话\n\n当年轻人在社交软件发出\"烦死了\"表情时，或许并未意识到这一动作背后沉淀的厚重匠心：\n\n- 猴戏世家的血脉传承：六小龄童六岁苦练猴戏，为练就\"火眼金睛\"盯香头、追飞鸟，终将猴子的灵性与英雄的桀骜熔铸成荧屏不朽符号。\n\n- 瞬间即永恒的艺术隐喻：2025年游园会上，年过六旬的他再现孙悟空横棍挑眉的经典姿态，网友泪目感慨：\"他拿起金箍棒的刹那，便不再是老人章金莱，而是齐天大圣本圣。\"这场跨越时空的\"还原\"，恰印证了他所言：\"角色活在观众心里，才是演员真正的勋章。\"\n\n表情包之外：被误读的传奇与澄清的真相\n\n\"烦死了\"的走红也推动公众重新审视六小龄童的争议漩涡：\n\n- \"灵堂卖片\"风波：2017年杨洁导演追悼会视频遭恶意剪辑，所谓\"推销新片\"实为完成导演遗愿的承诺；\n\n- 吴承恩故居争议：网传\"挂满个人照片\"实为美猴王艺术馆的独立展区，陈列包括唐僧、猪八戒等全体角色剧照；\n\n这些被澄清的误解，让大众逐渐意识到：对艺术家的评价需穿越舆论迷雾，回归作品本身的力量。\n\n结语：当经典成为流动的盛宴",
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"title": "窦靖童：父母是我生命中的一个课题",
"body": "在《歌手》的采访中，窦靖童说，\"父母是我生命中的一个课题。\"\n\n她说，以前自己写中文歌会有很大障碍，会恐惧，因为害怕写中文歌，就会和父母有更多的比较，于是很长时间以来，她写的都是英文歌，是在用一个语言的外衣来包裹自己。\n\n窦靖童的起跑线，是很多人终其一生都无法企及的终点。父亲是摇滚传奇窦唯，母亲是华语乐坛天后王菲，从出生起，窦靖童就是万众瞩目的孩子。但这样的家庭背景，也是一把双刃剑，它给了孩子无与伦比的光环，也是一个需要用半生去破解的课题。\n\n从小到大，窦靖童的一举一动都被放在放大镜下审视。唱歌，会被拿来和王菲比；做音乐，会被拿来和窦唯比。人们热衷于在她身上寻找父母的影子。所以她外表叛逆，也害怕她的音乐不被别人接受，她一直不知道如何去找自己，也不知道如何去让别人喜欢自己。\n\n窦靖童的家庭，是很多人原生家庭问题的一个放大镜。这种挣扎，很多人都懂。\n\n我们的父母不是明星，但那种\"想要挣脱家庭烙印\"的渴望是一样的。我们选择和他们截然不同的职业、不同的生活方式、不同的人生路径，某种程度上，也是在完成一场属于自己的\"叛逆\"。\n\n有时候，最爱你的人，对你的伤害也是最大的。\n\n这个人对你的掌控欲和保护欲极强，让你精神错乱。你觉得对方是爱你的，但你又实在是感觉很压抑。这种矛盾，比单纯的恨要折磨一百倍。\n\n当你还是一个孩子的时候，这种保护是一种庇护。但当你长大了，所谓的保护就会变成一种限制。你以为自己是被守护的，实际上你是被囚禁的。\n\n你是把孩子当成自己生命的附属品，而不是一个独立的生命。很多父母终其一生都没有想明白这件事。\n\n想要独立，想要超越父母，但是他们为我做了这么多。对于亲情的断舍离会有负罪感，逃不开，又打不赢。尤其是当金钱上的控制，也控制了你的思想自由。这都是一种业力牵引，也是我们要面临的课题。\n\n并不是要我们去恨父母，更不是要切断关系。而是要在精神层面，完成一次彻底的独立。把他们赋予你的期待、定义、束缚，全部打碎。然后重新建立属于你自己的价值体系，看清亲情绑架这种虚幻的爱，平衡好这个关系，这个关系就会从业力转化为更好的关系。\n\n或许我们的灵性觉醒了一部分，头脑明白了一些事情，但在现实层面，仍有很多问题要面对，依然要在每一次和父母的相处中练习新的模式，在每一次冲突中守住自己的边界。\n\n在《歌手》的舞台上，窦靖童唱了父亲的经典作品《Don't break my heart》，从前的她，应该是绝不会做出这样的选择，今天的她渐渐明白，不需要成为父母的骄傲，也不需要成为父母的反叛，只需要站在属于自己的舞台上，这才是真的酷。这不是叛逆的酷，而是接纳一切之后依然能做自己的酷。",
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